Friday, April 17, 2015

Big Sound: From Dublin to Brooklyn to JA

How do you make a big, big sound in reggae music?

Simple: take an Irish production crew, a legendary Brooklyn MC and a Jamaican dancehall veteran and you get the new single from Dublin's Dirty Dubsters crew.

"Big Sound," out now on Irish Moss Records, sees the Fu-Shickens' Chip Fu paired with Shaggy-collaborator Screechy Dan on a EP with remixes from eclectic beat genius DJ Vadim and jungle heavy Marcus Visionary.

The original mix rides a fat 90s-style dancehall hip-hop lick of Studio One's crucial "Far East" riddim; the Vadim mix is a steady bubbling downtempo track and Visionary's mix is punchy, peak-time drum & bass. The whole set is a DJ and dancer's delight–a positive party rocker. Have a listen below, crack a Guinness and say "cheers" to this cool collabo.

Thursday, March 19, 2015

5 Essential New Reggae Tracks


Ginjah
5 New Must-Hear Reggae Tracks. Bubbling under but worth repeat listens!

Ginjah "Africa Calling" Ginjah is probably the best vocalist taking inspiration from (and sounding more than a touch like) the late Garnett Silk. Others, including Singer Jah and I-Wayne, have their own takes and distinctions, but Ginjah embodies Silk's gentle vocal presence and soaring consciousness. Taken from the sunny riddim collection  Planet Reggae Rock Vol 1: Holiday Riddim "Africa Calling" features an inspired ode to the Motherland's glories over production that recalls Phillip "Fat Eyes" Burrell or Shane "Juke Boxx" Brown's best riddims. The vibe is joyful, and will definitely have you singing the chorus: "Calling, calling, I can hear Mama Africa calling for me..."

Mel Dubé "Extra Side" (video) This heartfelt lovers rock cut on JohnJohn's remake of the Water Pumping riddim shows this Canadian singer's sassy R&B-influenced approach. You can hear everything from Mary J Blige to Tessanne Chin in her delivery: its both earthy and powerful. And you can't go wrong singing over a classic Channel One-era rhythm; "Water Pumping" – memorably sung by Johnny Osbourne – was the pinnacle of rub-a-dub dancehall reggae and works its magic again via Dubé's confident track.

Protoje "Answer To Your Name" (Listen) Taken from Protoje's new album Ancient Future, this absolutely brilliant ska number is a fond nod to the great pre-reggae beat that Jamaica exported around the world. The song describes via clever wordplay a relationship set in early-70s Brixton, England, and the Prince Buster sample in the chorus seals the mood perfectly. Watch him perform it live on BBC 1Xtra!

Exco Levi "Country Man" (Watch) This is the title track from Exco's autobiographical new album. It serves a fitting introduction to the tour-de-force music that comes after. This track chronicles the differences between life in rural Jamaica, with abundant fruit trees and clean rivers to wash in, and city life in Kingston with its attendant perils. This album further chronicles Levi's country life via the songs "One Shirt," "One Room Shack" and "Suffering Man." Levi covers the Twinkle Brothers "Since I Throw The Comb Away"–a Rasta anthem long overdue for a tribute. The crisp production from Penthouse Studios' Donovan Germain couldn't be better. But really, Exco shows why he's won three consecutive Canadian Juno awards and quickly becoming roots reggae's most important breakout artist.

Through The Roots "Bear With Me" A hybrid roots reggae and EDM track, San Diego's Through The Roots show why they're one of the West Coast's most promising up and coming bands. The catchy track conveys a hopeful, positive spirit through times of adversity. And, actually, the band experienced just that recently when their tour bus caught fire and burned, destroying much of their music gear, laptops and more. But they are a band with a bright future, and keeping true to the "Cali Roots" vibe the "Bear With me" video (see below) was filmed in Santa Cruz, California, with great shots of the beach and coastline.

Video: Through The Roots "Bear With Me"

Tuesday, February 24, 2015

Yabby You: Prophetic & Newly Respected

Below is an excerpt from my Yabby You Dread Prophecy review for Pitchfork. A new 3-disc box set is out now on Shanachie Records, the first US label to release Yabby You's music.

The new collection of Yabby You's great work during the 1970s and early 80s in Jamaica will hopefully shed more light on a cornerstone artist who has been vastly under-appreciated.

Dread Prophecy: The Strange and Wonderful Story of Yabby You 

Jamaican reggae artist Yabby You’s epic new three-disc box set opens with "Deliver Me From My Enemies", a song where his vocals ache with conviction as he interprets verses from the Book of Psalms. It’s the sound of an artist who had suffered and was suffering still, physically and economically, but not spiritually. This disposition endeared him to his ghetto peers even as he faced rejection from wider society. Though Sly & Robbie, the Clash and the Wailers bassist Aston "Family Man" Barrett revered his music, Yabby You remained obscure to most reggae fans.

The searing work on Dread Prophecy: The Strange and Wonderful Story of Yabby You showcases an artist who deserves recognition on par with Bob Marley, Augustus Pablo or Burning Spear and hopefully elevates his legacy from its outsider status. Sadly, during his life, Yabby You (born Vivian Jackson) was doubly shunned: For being a dreadlocked youth who lived among Rastafarians at a time when they were despised by middle class Jamaicans, and also as an ardent Christian who rejected his Rasta brethren’s veneration of Haile Selassie as God.

Jackson’s story is one of a poor and sickly man who recorded with legends like the Skatalites’ Tommy McCook and iconic dub engineer King Tubby. He also produced brilliant music by Big Youth, Wayne Wade and Michael Prophet, all while marginally employed and restricted to crutches from debilitating rheumatoid arthritis.

In a way, Jackson’s physical suffering echoed his music’s serious content. Songs like "Anti-Christ", "Warn the Nation" and "Jah Vengeance" are rife with apocalyptic references from the Book of Revelations and Jamaican proverbs, chastisements and moral teachings. Similarly, his vocal harmony group the Prophets embodied their name. They sermonized against lasciviousness ("Carnal Mind") and warned of the end days ("Babylon a Fall").

Read the rest on Pitchfork.

Wednesday, January 14, 2015

Rare Roots & New Riddims + Eddie Goes One-Drop

New Kingston
2014 was dominated by US and Pacific Rim-based reggae-rock artists. The Green, Rebelution, SOJA and the Dirty Heads were the among the groups that outpaced strong releases from Jamaican acts like Sly & Robbie, Shaggy, Chronixx, and Duane Stephenson. Meanwhile, international artists like London's Hollie Cook and Canada's Esco Levi and Magic also made significant inroads with global reggae audiences.

2015 may see more of the same but perhaps it will be tempered by stronger output from higher profile Jamaican talents. Time will tell. In the meantime, here's a peak at notable new titles coming soon or ready for your listening enjoyment now.

Out now: Dub Syndicate's Hard Food, from the UK/Jamaica outfit founded by On-U Sound producer Adrian Sherwood and the tragically murdered Style Scott, former drummer with the Roots Radics band. The album features heavy cameos from Bunny Wailer, U-Roy and Lee Scratch Perry. Reggaeville has a heartfelt review, aptly placing the release into the important context it deserves. For more on Style Scott's legacy, view The Guardian's respectful obit.

Also out nowMarlon Asher Illusions, the latest album from the popular Trinidadian singer, famous for his hit "Ganja Farmer." British lovers rock singer Lady Lex has teamed up with rocksteady-influenced producer Peckings for Is This Love, a genuine set of songs built from original Treasure Isle and other rocksteady riddims. Canada's excellent dub-electronica producer Dubmatix is offering a free download from his latest release Mysterium Dub. And if a quality one-drop riddim juggling is your thing, grab the new Reggae Island Riddim that features Serani, Khago, Bugle, Nature and Dexta Daps among others.

Singles-wise, there's some strong offerings out now, including Sevana Siren's sweet lovers rock track "A Bit Too Shy," produced by Winta James & Protoje for In.Digg.Nation Collective/Overstand Entertainment. On a similar tip is Germany's Sara Lugo featuring Protoje on "Really Like You," feel good reggae at it's best. Lugo's Hit Me With Music album is out now.

Phil Watkis has a sincere one-drop track in "Falling For You." His voice recalls smooth '90s/00s romantic crooners like Beres Hammond, Lloyd Brown, Sanchez or Tony Curtis. For something a little bit rougher, yet still harkening back to classic digital dancehall, Serocee's "Rude Boy Selection" has it all: A Tenor Saw sample, rude low-end bass and gruff, baritone-timbre lyrics.

January 20
Northern California's Jah Sun  has linked with top-flight Austrian band and production team House of Riddim for New Paradigm. You can hear a killer album preview on Soundcloud. The album features solidly build modern roots reggae and conscious lyrics from this rising young sing-jay. 

More established but always innovative, Italian/Jamaican artist Alborosie releases Sound The System Showcase, a dubby discomix rework of his most recent album. The new version features extended mixes and dubs.


January 27
Easy Star Records had a lot of big records and success in 2014, releasing new titles from Giant Panda Guerilla Dub Squad and Backbeat Soundsystem. Now the label has signed Brooklyn's New Kingston and will release Kingston City. This brother-led group bring an innovative new school approach to live roots reggae – a little like Morgan Heritage or Steel Pulse but definitely pushing their own aesthetic.

While he had a long and prolific comedy and movie career, Eddie Murphy is evolving into quite a legitimate reggae singer. "Oh Jah Jah" is his best song to date, a slow one-drop roots track that would sound right at home on a Midnite album. The single is out digitally January 27.

Premier UK label Pressure Sounds reissues a heavy album, Consider Yourself, by The Inturns on vinyl and digital formats. This vocal trio, produced by the great Phil Pratt, featured Viceroy's cofounder Wesley Tinglin on lead vocal. His passionate delivery was probably only bested at the time by Dennis Brown.

February 3
February 6 marks the celebration of what would have been Bob Marley's 70th birthday. The Marley Estate and Universal Music plan special releases throughout the year, commencing with Bob Marley & The Wailers Easy Skanking in Boston '78 (Tuff Gong/Universal), a previously unreleased live set with accompanying Blu-Ray DVD. The show includes classics like "The Heathen" and "War" with the Barrett brothers rhythm section and I-Threes on backing vocals. Classically Wailers, at their prime. 

African reggae has a long and fertile history with stars like Alpha Blondy and Lucky Dube garnering global acclaim. To this fold comes Ghana's Selasee Atiase & Fafa Family and their new release Time For Peace. My friend Garrett Baker summed it up nicely like this: "Ghana. A proud kingdom that’s flourished in the decades since independence. It’s the home of highlife, the musical style that spread all across Anglophone West Africa before taking a turn for the global. And highlife, sweetly blended with reggae and soul, is the root of Time for Peace, the new album by Selasee & Fafa Family."

February 17
Later in February Bay Area rocksteady soul crooner Rusty Zinn releases The Reggae Soul of Rusty Zinn. Zinn is a talented and experienced live musician and reggae fan to the core. The album should introduce his talents to many new ears. 

Turning back the clock to Jamaica's most fertile era of roots reggae, the Yabby You's retrospective Dread Prophecy is released on Shanachie. For those unfamiliar with Yabby You's legacy, he was a hugely influential singer and producer in the '70s who worked alongside King Tubby and produced great tracks by Big Youth, Trinity and Michael Prophet. Get to know this roots icon!

And speaking of rare roots music, a real gem drops on the 17th with the ultra-rare reissue Red by Bunny Lion (a alias of the DJ Puddy Roots of Killamanjaro & King Jammy$ sound systems. Produced by the great Linval Thompson (Johnny Clarke, Rod Taylor, Mystic Eyes) the album charts a crucial moment as roots reggae was transitioning to what would become rub-a-dub style dancehall. Check a preview below.



March 10
East London band The Skints mix reggae with other urban styles on their new album for Easy Star produced by Prince Fatty (Hollie Cook, Horseman etc). Infused with a punk and hip-hop attitude but solid reggae chops, the Skints unite myriad British sound system culture elements in a vibrant live presentation. Think The Clash mixed with Dizzy Rascal. Also in March Konshens' brother Delus releases a new album Public Relations.


Coming soon: A reissue of Black Symbol's absolutely killer self-titled Black Symbol on Reggae Archive Records, a division of the ever-active Bristol Archive label. Like fellow Brits Misty In Roots or Jamaica's Twinkle Brothers this band specialized in truly "dread" heavy roots reggae. The singer has just a touch of Burning Spear's inflection, while the band fills in the spaces with superb guitar, organ and percussion-driven reggae. Each track on the album features a dub version.

PS: For more news, check out Clash Magazine's latest reggae round-up featuring new releases, videos and Jamaican event reviews.


Tuesday, November 11, 2014

Full Up of History: Bunny "Striker" Lee

Pressure Sounds, England's foremost vintage reggae reissue label, issues their latest collection, Full Up, highlighting the career of the prolific Bunny "Striker" Lee.

These "early reggae productions" harken from a time when Jamaican music was still transitioning from genteel and soulful rocksteady sounds into faster, more insistent uptempo reggae.

The slower "one-drop" reggae beat was still a few years off, but tracks like Stranger Cole's "When I Get My Freedom" convey a roots-era conviction. In contrast, other tracks simply play on the television and movie interests of the day ("Payton Place," Death Rides A Horse.")

The Independent newspaper recently ran an excellent profile of the producer. This excerpt, chock-full of facts, give you a taste:

He created the “flying cymbal”, or “flyers”, the stripped-down crash of a high hat, first played by drummer Carlton “Santa” Davis on Johnny Clarke’s 1974 hit “None Shall Escape the Judgement”. “Flyers”, one of reggae’s most distinctive sounds, was inspired by Lee’s love of fried chicken wings. The famous one-drop snare drum stroke made famous by Bob Marley’s 1979 cry “Feel it in the one drop” was invented much earlier, claims Bunny. It exists on Bunny’s late-Sixties hit for Max Romeo, “People Get Ready”.

And some words from the the Pressure Sounds press release:
Bunny ‘Striker’ Lee ‘Mrs Pottinger used to call me “the ghost that haunts the studio”. Man would say “how come you have so many baby mothers? Where you get the time?” Because I was always in the studio.’

It is July 2006 and I am working on a recording session for Bunny ‘Striker’ Lee for the first time. Bunny has arranged for 5 different singers to come round to my tiny bedroom studio in Dalston to voice some tunes, and as he is running late we have started without him. The first singer up is struggling to nail the tune after five or six takes, when Bunny and his entourage arrive in a flurry of laughter and multiple ringtones. Immediately the level of energy and excitement in the studio is ramped up. Bunny shouts a few words of encouragement and the singer nails his performance in the next take. From then on the session moves quickly, with Striker offering gentle guidance, the occasional suggestion for lyrics, and frequent cries of support: ‘G’wan, you great!’ 

After 3 hours all the tunes and a version are recorded and mixed, and two weeks later the songs are out in the shops on seven inch vinyl. It has been an archetypal Bunny Lee session, quick and spontaneous, getting the best out of all involved. No one leaves with money in their pockets, but some have been given rhythm tracks for their own productions, and all are walking just a bit taller than when they came in.

Rewinding to February 1968, a slim and dapper young Jamaican touched down for the first time in an icy, snowbound Britain. Bunny Lee had achieved instant success at home with his first releases the year before, but did not have the funds to compete for airtime with the established Jamaican producers. He had now come to London to do business with Chris Blackwell’s Island Records, and immediately saw that the rewards from the English market would be key to his success in Jamaica. By building business relationships abroad, Bunny could gain a competitive edge over his rivals that made up for his lack of finances. And so began an intricate process of international networking that continues to this day.

Errol Dunkley ‘Bunny Lee come from England with that word “reggae”. Him say the record companies in England would like the beat to be a little faster.’

Full Up is available now as a digital or vinyl release.

Tuesday, October 21, 2014

Dub Store Profiled & New Riddims

Check out an excerpt from my article on Tokyo's Dub Store Records below, and read the full piece over at Bandcamp.

Dub Store has really changed the game for collectors and Jamaican music enthusiasts alike by forging deals with institutions like Federal Recording Company, home to the Kentone, Federal and Merritone imprints, which delivered countless hits in the ska and rocksteady era. Then there’s Dub Store’s collection of hard-to-find titles on King Tubby’s Firehouse label, deep cuts from Bunny Wailer’s Solomonic label, sublime roots by Kiddus I and Glen Brown, and the list goes on.

So how did this obsession with releasing rare reggae music from respected Jamaican imprints like Studio One, Merritone, and Redman International arise? We chatted via email with a very busy Mr. Ienaga on Dub Store’s origins and motivations, and their experiences in Jamaica unearthing the island’s finest recordings. [Read more here...]
-------------------------------------------------------------------------------------------------------
Speaking of Bandcamp, Kabaka Pyramid associate Koro Fyah is offering a free track on the site. More excellent roots revival reggae, with the same flavor as Chronixx, Dre Island or Protoje. Download it here.

Keep an eye out for a few big new releases for November: Silly Walks Discotheque Presents Clock Tower Riddim and sing-jay Cali P's latest album Healing of the Nation (Hemp Higher Productions). Clock Tower features production from Jr Blender, who's currently co-producing the upcoming Major Lazer album. Featured artists on the riddim set include Gentleman, Queen Ifrica, Esco LeviMorgan Heritage and more.

Friday, October 03, 2014

Red Bull Culture Clash SF: Dubs Get Dirty

Red Bull's latest Culture Clash event in San Fran was an unqualified success. Despite some issues with muddy sound quality, the night delivered on the promise of exclusive live appearances (from Too $hort, Mr. Vegas and more) and heated dubplate-laden battles between four supremely talented DJ crews. (More on the four crew's in Magnetic's preview). 


Each of the four crews performed 15 minute sets. After each complete round in which the various crews DJ'd, the crowd was asked to asked to cheer for their favorite and the noise level was recorded by a decibel meter. The loudest crowd response would determine the winner.

Here's an abbreviated recap of the four rounds. Any gaps in coverage are due to yours truly taking time to snap photos and enjoy the proceedings. 

Dub Mission

Round 1: Temperature's Rising
After doors opened at 9 p.m., crowds are still filling the venue at 10. Tormenta Tropical (DJ Oro11, Bersa Discos, DJ Theory) and Dirtybird (Claude Von Stroke, Justin Martin) have done their opening sets.

Triple Threat (DJ Apollo, Shortkut, Fran Boogie) play a batch of sing-a-long hip-hop anthems and get the first real crowd reaction, as the DMC-champ DJs flex some of their patented scratch prowess.

Dub Mission (DJ Sep, Maneesh The Twister, Kush Arora, J-Boogie) bring out live horns (trumpet, sax, trombone) to play over Dawn Penn's "No No No" instrumental. MC Zulu is the hosting the stage along with emcee Deuce Eclipse. DJ Sep spins the opening set. They get a strong reaction from their supporters.

Pretty standard sets from the other competitors: Tropical bass from Tormenta Tropical, and house and club beats from Dirtybird.

Round 2: The Selector
Dirtybird brings out DJ Craze (video) from Miami, the first big guest of the evening. They end their set with full-sized costumed bird mascots on stage dancing to a dubplate of house classic "Beat That Bitch" changed to "Beat That Bird (With A Bat)."

Triple Threat start their set with a selection of all-Bay Area hip-hop, then they bring on Lyrics Born who sings "Calling Out" live. Then Zumbi from Zion-I performs live, and the climax is a appearance by the entire Souls of Mischief. (video) They deliver their hit "That's When You Lost" live. The song's lyrics are, of course, directed as a diss at the other sound competitors.

Dub Mission's Maneesh The Twister hypes the crowd with his reggae-remix and drum & bass blends (Barrington Levy "Murderer") and then drops a different dubplate version of "Beat That Bird (With A  Bat)". The Dub Mission crew proceed to pantomime beating down one of the bird mascots on their stage.

Los Rakas
Tormenta Tropical start round two with a dancehall set, then they bring out Bay Area bilingual hip-hop/reggarton crew Los Rakas live. (video)

At this stage of competition, Triple Threat is the running favorite, with Dirtybird second, Dub Mission third.

Round 3: Sleeping With The Enemy
Each crew takes on another's style of music. 

Triple Threat play reggae against Dub Mission dropping Major Lazer,  J-Boog and Junior Gong dub plates. Then they announce they're going after all the crews and cleverly drop some tropical bass and house dubplates.

Dub Mission's J-Boogie (Om Records) plays hip-hop/ reggae remixes against Triple Threat. According to sources, Dub Mission's Kush Arora made a bunch of exclusive hip-hop dancehall mashups blending DJ Mustard instrumentals with dancehall vocals.  

Dirtybird bring out Diplo from Major Lazer to a very noticeable crowd reaction.

It is announced that Tormenta Tropical wins Round 3. Crowd is booing. 

Round 4: The Decider
Dub MIssion opens with J-Boog "Nice To Know You" dub plate. They bring Mega Banton on stage for "Never Heard A Sound" hip-hop remix, then bring out Timex Social Club's Michael Marshall live to sing hook of "I Got Five on It" (the Luniz hit), and also his own hit "Rumors." (video

Tormenta Tropical follow with heated dancehall and tropical bangers, then up the ante by bringing out Jamaican performer Mr. Vegas, who sings "Heads High" and "I Am Blessed."

Dirtybird open their set with two robot-clad figures dressed like Daft Punk (unconfirmed) behind the decks. 

They they amp the crowd up considerably by bringing up Pharoahe Monch who performs "Simon Says," immediately followed by Bay Area legend Too $hort.  It looks like game-over at this point.

Triple Threat open with more dubplates but play back a Cutty Ranks dub that Dub Mission had already spun. *(Almost every crew re-played something another crew had previously spun, a major foul in traditional dancehall sound clash rules.

Triple Threat playa Snoop Dogg dub plate, then bring out house singer Crystal Waters who performs "Gypsy Woman (Homeless)". 

The final voting:
The clash was decided by which crew received the loudest crowd-noise reading on the decibel meter. After each round, each crew's name was announced and a decibel reading was taken. No winner was announced for Round 1. Round Two was won by Triple Threat,  and Round 3 was won by Tormenta Tropical (under protest by Dirtybird's supporters). 

After the final round of crowd cheering, it was determined there was a tie between Dirtybird and Triple Threat. Equal amounts of the crowd began chanting in unison for their preferred crew, either Dir-ty-bird" or "Tri-ple Threat."

The judges announced that another crowd vote would be taken to break the tie. After the crowd cheer was recorded on the Db meter, Triple Threat was announced as winner. However, it seemed the crowd consensus that after all the big guests that Dirtybird had brought up, they deserved the win. But Triple Threat impressed with quality mixing throughout, big guests in the second and fourth rounds and original dubplates. Each of the crews deserve credit for the countless hours of practice, phone calls and organizing it took to get their special sets together.


Selected tweets:
"No matter the victor, this is the craziest thing I've ever been to."

"Jamaica's best performer of this generation @MrVegasMusic just showed San Fran how it's done #redbullcultureclash"

D-Sharp @djDSharp "This #redbullcultureclash event in SF is probably the best show I've been to in a minute!! #hellafresh"

Tormenta stage with emcee, dancers and diss signs

Mega Banton (left) and Timex Social Club's Michael Marshall

Apollo & Shortkut of Triple Threat

Lights and crowds at Red Bull Culture Clash SF











Wednesday, September 17, 2014

Chronixx "Capture Land" Video

Check out the video for Chronixx's "Capture Land," the latest feature track from his Billboard-topping album Dread & Terrible.

Large Up has a nice review and profile of the video shoot, mentioning that the video was shot by Jerome D of Top Dawg Entertainment, the same director responsible for Kendrick Lamar's "Swimming Pools" video.

Overall, Chronixx's auspicious rise reminds ForwardEver of 80/90s roots singer, Ini Kamoze, who, like Chronixx broke through via his Sly & Robbie-produced mini-album. Kamoze's "World A Music" was later sampled for Damian Marley's smash "Welcome To Jamrock." Chronixx's looks to have the same poise, songcraft and message-driven lyrics as Kamoze at his peak.

Sunday, September 07, 2014

Riddim Reviews

ForwardEver recently published some new riddim compilation reviews over at United Reggae site.

Links:
Jump For Joy riddim review
Maxfield Avenue riddim review

Both collections feature excellent line-ups and production. Read a little more below or follow the links for a full report!


Jump For Joy riddim
As if we didn’t need more evidence that reggae from the Virgin Islands is every bit as accomplished and well-produced as its Jamaican equivalent, Splatterhouse Productions brings for Jump For Joy, a 15-tracks riddim excursion of the highest caliber.

With an experienced Jamaican music team on board, including master drummer Sly Dunbar, keys-man Donald Dennis and guitar legend Earl “Chinna” Smith, this project already had an advantage. They conjure a honeyed mid-tempo one-drop rhythm that has all the vital elements: tasteful guitar accents, bright and colorful keys and piano, and Dunbar’s heavyweight thump.

Producer J. Carrington and mixing engineer Dean Pond didn’t skimp on talent, bringing in VI talents Pressure, Ras Batch, Danny I and Army, American singer Notch, as well as Jamaican greats Junior Reid, Sizzla and Lutan Fyah. For most riddim juggling fans that would seal it. But the surprise on this set are the strong performances from the newer talent.

On “Smile” crooner Maurice’s voice has a touch of Da’Ville’s delicate, soulful delivery. Paired with some delicious backing singers and overdubs, it’s a solid lovers rock track. Likewise, Rema impresses with her crisp and present singing, while singjay Mada Nile has the confidence and strength of an artist like Queen Ifrica on the message-imbued “Bended Knees.”

Overall, Jump For Joy is another solid and sweet set from the Vis, proving that the wider Caribbean holds much promise for the reggae’s future. 

Sunday, August 03, 2014

Duane Stephenson Channels Bunny Wailer [Video]

Duane Stephenson previews his new album Dangerously Roots (out Sept 23 on VP Records) with a cover of Bunny Wailer's anthemic number "Cool Runnings."

The song was on Wailer's 1981 album Rock and Groove, and was an important bridge between the Bob Marley-roots era of the '70s into the early dancehall and run-a-dub era of the early '80s.

Stephenson, who has two highly regarded previous albums (From August Town and Black Gold), does a fantastic job with the tune, and shows his reverence for times "when music was nice," in Jamaica. Watch a video for the track below and look out for his new album.